Drop the bounce.
MP3, WAV, FLAC, OGG, M4A. Add a version label (“Mix v3”, “Pre-Master”) and optional cover art. Attach the Ableton .asd sidecar to get bar & beat numbers on the waveform.
Upload a bounce. Share one link. Reviewers scrub through the waveform and drop comments — text or voice — pinned to the second. You tick them off in the DAW. No email threads. No screenshots. No “around 2:34?”.
Below is the actual player UI — not a screenshot. Click the waveform to drop a marker. Tap the mic to record a voice note. Hit Compare to A/B a second mix — drag it to line the versions up. The playhead loops the demo automatically; jump in any time.
MP3, WAV, FLAC, OGG, M4A. Add a version label (“Mix v3”, “Pre-Master”) and optional cover art. Attach the Ableton .asd sidecar to get bar & beat numbers on the waveform.
One URL per track. Reviewers open it on their phone, scrub through the waveform, drop text or voice notes — no login, no email, no app download.
Every marker has open / done. Work through the list in Ableton, Logic or Cubase. Export the whole set as Markdown with timestamps and checkboxes.
# Mix v3 — review notes [x] 00:38 Kick wobbling on snare hit [x] 01:35 More reverb on vocal [ ] 02:30 Cut the 2nd verse▌
Click the waveform, type a note, hit save. Every comment is pinned to a timestamp — with optional range, so you can flag a passage instead of a single moment.
Hit the mic. Talk through the section. The clip plays back inline and gets transcribed — with vocabulary tuned for mix, EQ, side-chain, sub-bass, transients.
Send the URL to anyone. They open it on their phone, scrub through, comment. Revoke whenever.
Stack v0.3 vs v0.7 in the compare panel. Markers roll forward.
Every marker has open / done. Work the list, hit close.
A real-time parametric spectrum analyzer rides above the wave — calibrated 20 Hz–20 kHz, with a cursor readout, peak-hold and freeze. Drop a sweep filter on the curve to isolate a frequency band, and in A/B every version’s spectrum overlays the others so tonal differences are readable, not guesswork.
Three modes: a deep DAW-dark skin for late nights, a warm off-white for the day, and a System mode that tracks prefers-color-scheme and flips live when your OS does. New installs default to System.
Spin up a collab and pull in friends. Everyone drops their stems and versions into the same workspace and every marker is shared — in the app and inside the Live plugin. The band sees the same notes you do, in real time. Leave or delete anytime; nobody’s tracks get touched.
A Max for Live device pairs to your account in one tap and pulls every marker straight onto the timeline — collab notes included. Read the feedback where you actually fix it, without leaving the set.
Nothing indexed, nothing public. Tracks never show up in search engines and never leave the people you share the link with.
Streaming platforms celebrate the finished record.
Online stores sell it.
Beat Marker is for everything before.